Rarely, and never directly (i.e. listening to ‘Pump it Up’ has never made me want to draw inflation, whereas the Digitalism Remix of 'Technologic’ has). The type of music that I listen to while working on a drawing does, however, greatly influence the tone of the piece.
I realized one the way home that people don’t necessarily mean to be creepy, it just sort of happens.
For example:
I was walking home from work tonight, as a storm was forecast to roll in so I hadn’t ridden my bike as usual (easier to hold an umbrella while walking). A good portion of the walk is through commercial areas, and through the town football field, or at least its ‘parking lot’. Seeing as I’d had an hours walk ahead of me, I set my tablet to play some Dr. Steel from my bag as I went on my way.
That’s when it hit me.
I was walking through a moonlit parking lot, still in my black work clothes, a black sword shaped umbrella in hand, as storm clouds and lightning began to take over and flash overhead, and all the while 'Bogeyman Boogie’ is echoing out from my little side bag.
And all the while I’m all :D
Nope; couldn’t think of anything to play around with this year.
Who’s us?
Nope, I don’t mind at all ^.^
TL:DR - It’s gone, and it’s highly unlikely that I’ll ever add any more to it.
Indeed I’ve been drawing quite a lot, but it’s all just been fapkin art and practice sketches, nothing worth saving or posting.
Indeed I have, though I’ve since retired from doing so after more than a couple scares, and a few health issues that may be the result of having done so x_x;
Of course, though it is fairly rare, because drawing proper muscle growth up to the sizes where they would explode is a good bit more difficult than just drawing a belly getting bigger and rounder.
Finally fully finished a nice, new picture, made it all nice ‘n shiny, and posted it to FA. I rather dig how well it came out, even though I restarted the shading on it about three times… anyway, if there’s one big thing that bugs me about it, it’s that because it’s only cell shaded, there’s no reason I shouldn’t have animated it. Alright, maybe not that picture in particular, because there’s not a whole lot I could have done with it due to the pose, but for the most part, I’m always kinda’ disappointed these days after “completing” a cell shaded picture. The technique for converting an image to an animation isn’t hard, and it doesn’t even take that long, adding maybe an hour or two more to the process if it adds time at all. I’m trying to learn more realistic shading to avoid all that nonsense, but when I feel like being lazy, I revert to cell, and then I get sad.
I know a number of people at this point are probably wondering “If it’s really so easy, why isn’t that Renamon animation done yet?” and the answer is that I don’t know what to do with it. Add in breast expansion, maybe change to a full body inflation, or hourglass, should I make it manual, or just click and watch; I’m still deciding on that stuff, but that’s besides the point. The main thing is that, barring a few little non-creation related hiccups, the total work time of that animation will be barely longer than the image I’d just posted.
So what does this mean for everyone else? What’s the point of making yet another whiny ass post? Well, there isn’t one, really. I guess just take from it the knowledge that, in the future, if ever you see me post something that is just cell shaded, you can feel warm and fuzzy being 'in the know’ about the fact that I was probably just being a lazy. Also, assuming I can actually build up the willpower for it, I’m also kinda’ saying that I have every intention to begin spewing forth far more animations in the future than have ever been seen before.
At the moment, nowhere, it’s just an idea I’d had. If I do indeed decide to roll with it, I’ll probably make an announcement on FA, or just do streams, or something like that.
Another thing, unrelated to the thing I posted five minutes ago, that I’ve been thinking about. A lot of artists that I see all over the internets have the opposite issue as me, in terms of R & D. I hardly produce anything anymore, yes I’m fully aware of that fact. I spend most of my creating time trying to figure out new ways to draw things, better ways to draw it, or just learning new things altogether (as in the fact that I can actually draw human faces now, and not just animu style either). I’ve noticed, though, that a good chunk of other artists haven’t improved in any noticeable way in years: Still making the same anatomical mistakes, still shite with line weight or quality, still can’t color worth a damn, etc. The thing is, though, that they still churn out images near daily, and it pisses me off sometimes. I want to do that. I want to knock out drawing after drawing, day after day. It’s hard for me to switch gears though. It’s hard for me to look at a drawing, even if I’ve spent hours on it, and honestly say “Yes, this looks as good as I can make it.” Even if it’s true, I know I can make their face, or a specific body part look better, more realistic, if I just spent more time trying different things. That Doggy picture two posts ago? I completely redrew that exact image, same pose and everything, four times before drawing that one. Each time I changed things a little bit; the style of his head, his eyes, expression, position, body language, even changing up the size and shape of his entire figure. Despite that, though, it honestly still bugs the shit out of me. What I’ve come to at this point is that I just get fed up with trying to figure it out, and post what I’ve finished. I’m really kinda’ curious if any other artists actually go through that, or if everyone else is capable of just drawing something once and calling it good, without even a second thought about how it could look better.
Damn that became long…
I had a thought earlier that I kinda’ like at the moment, but still need to mull over a bit. One thing that has always kinda’ ate at me when doing commissions is when someone has this really cute or sexy character, and they ask me to draw them in some otherwise kinda’ lame scenario, at least in my own opinion. So the idea that I came up with would be to have a cheaper commission option where people just let me play with their character as I see fit, and I mean absolutely.
Usually a coquettish femboi? Maybe he’ll stay that way, or maybe he’ll be forced to pack on a few hundred pounds of fat via tentacles and burst through that corset. Hell, maybe he’ll just burst.
Curvy gal? More like balloon!
Flat chested? More like balloon!
Balloon? More like Flat chested but still kinda’ curvy!
I dunno, it was just a silly thought; we’ll see if I’m still in the mood to do somethin’ like this later on down the road.
Nah, twisting folklore around is for anime series’ and network television shows. We’re furries, we make up our own shit as we go along and as we see fit.
Probably the hyper muscled male ballerina.

While there’s a lot that I dig about Japan ‘n all of its stuff, the whole deal with the tanuki never really appealed to me, and in many cases is a complete turnoff. So instead, have a femboi tanuki dog pumping his nuts to near bursting for the shear pleasure of doing so.

While I can dig a good variety of everything listed there and more, my absolute favorite will always be simply inflating someone’s belly with air.
Originally, no, there was no particular significance. Then one slow day at work I had a lot of spare time on my hands, so I figured out a whole long-ass story that explains everything about my character’s transformation from a wolf to a rabbit, his appearance, and numerous other things that happen in the little world that I’ve set him in.
When the option is available, one should always choose BOTH! >:3
Nah, it wouldn’t surprise me at all. I’m neither important nor popular enough to warrant any amount of real traffic, or generate interest in my thoughts on any given subject.
Only on the standard stuff, like quality and subject matter. If I’m going to spend time working on a drawing for them and their interests, it’s not going to be for something they just “sneezed out”, if you will, and doesn’t interest me at all.
Usually just one.
I don’t really have one. I don’t watch enough people on FA, and particularly not enough high activity artists, that I ever really noticed any problems of any kind. This right here is actually the first time I’d ever heard of the ‘link to enter’ stuff.

My Boyfriend.
My boyfriend came home late, and immediately pulled me into our bedroom. We stripped down, kissing, hugging, groping. His hand found its way to my shaft, gently massaging and stroking. I gasp, it feels different somehow; hotter, harder. It felt as though, with every stroke, I had more and more to for him to touch, and to my surprise, I did.
“Let’s see how much you can take.” He whispered.
It wasn’t the fact that he was somehow making my penis grow, inch by inch, foot by foot. Nor was it that he made it do so until it was too large for me to stand, much to my protests. It wasn’t even the fact that he began to grow transparent and gelatinous as a car pulled into the drive; as my boyfriend’s car pulled in.
It was that grin as the lock on the front door began to turn, as my testicles began to rapidly swell to catch up to my monstrous member. It was that smile as every last drop of that imposter stuffed itself into my genitals. It was that single sentence as, faintly, masked from the sound of footsteps walking down the hall toward our bedroom, it utters before the last disappears into my being.
“Let’s see how much he can take.”
That’s a bit of a list.
In no particularly prioritized order:
Anything with intricate details, or that requires texture in order to tell what it is. Being required to spend numerous hours working on something as tedious as, say, drawing fur, or the little patterns that most video game armors have really kind of takes a lot of the fun out of drawing. Sure it looks amazing once it’s finally done, but I swear, if there was a hell for artists, that would be a center point.